Unsuk Chin presides over Toru Takemitsu Composition Award

Par Nahoko Gotoh, 04 juin 2018

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“compact, beautifully crafted movements which were like tableaux from the Chinese fable”

Critique faite à Tokyo Opera City Concert Hall, Tokyo, le 27 mai 2018

Hövelmann-Köper, Lukas, Quantum Vacuum

Brito, Paulo, Staring Wei Jie to death

Li, Sleeping in the wind

Martin, Quanta

Yoichi Sugiyama, Direction

Tokyo Philharmonic Orchestra

Soirée hors normes à Toulouse avec Vengerov, Chung et le Tokyo Phil

Thibault d'Hauthuille, 3rd November

Dans des tubes de Tchaïkovski et Prokofiev, l'orchestre, son directeur musical honoraire et son soliste invité ont été éblouissants.

*****

Will Tuckett's Nutcracker for National Ballet of Japan is delightful

Naomi Mori, 19th December

National Ballet of Japan premiered production of Nutcracker choreographed by Will Tuckett, that features a stylish and dramatic Act 1 and a hilarious, colourful and unique Act 2.

****1

Tokyo Philharmonic and Myung-whun Chung launch European tour in Berlin

Elena Luporini, 28th October

The Tokyo Philharmonic visits the Berlin Philharmonie to bring finesse to a catchy programme featuring Bernstein, Gershwin and Prokofiev.

****1

National Ballet of Japan revives Ashton's beloved Cinderella

Naomi Mori, 18th October

The National Ballet of Japan gave an excellent rendition of Sir Frederick Ashton's Cinderella, in spite of many new faces and role debuts.

****1

Wheeldon's Alice's Adventures in Wonderland dazzles again in Tokyo

Naomi Mori, 12th June

Christopher Wheeldon’s Alice’s Adventures in Wonderland returned to the National Ballet of Japan, a marvelous production that amply displays the many talents of the company.

****1

National Ballet of Japan's revival of Giselle: a dramatic return

Naomi Mori, 10th April

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

*****

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Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.