Missy Mazzoli's Breaking the Waves opens in Philadelphia

Par Ako Imamura, 25 septembre 2016

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“strong music, effective staging and, above all, committed performances”

Critique faite à Kimmel Center, Perelman Theater, Philadelphia, le 22 septembre 2016

Mazzoli, Breaking the Waves

Opera Philadelphia

Steven Osgood, Direction

James Darrah Black, Mise en scène

Adam Rigg, Décors

Chrisi Karvonides-Dushenko, Costumes

Kiera Duffy, Bess McNeill

John Moore, Jan Nyman

Eve Gigliotti, Dodo McNeill

David Portillo, Dr Richardson

Patricia Schuman, Bess' Mother

Zachary James, Terry

Marcus DeLoach, Church Councilman

Pablo Santiago, Lumières

Adam Larsen, Vidéaste

Elizabeth Braden, Chef de chœur

Emily May Sung, Chef de chœur

Amanda Console, Mise en scène

Opera by committee: Opera Philadelphia premieres Complications in Sue

Cameron Kelsall, 4th February

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

****1

A didactic Decameron: The Seasons at Opera Philadelphia

Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

A long, strange trip: Opera Philadelphia’s Il viaggio a Reims

Cameron Kelsall, 19th September

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time.

***11

The Listeners: daring psychological thriller at Opera Philadelphia

Cameron Kelsall, 25th September

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

****1

Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

Cameron Kelsall, 23rd September

Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.

****1

Quinn Kelsey triumphs in Opera Philadelphia's Simon Boccanegra

Cameron Kelsall, 22nd September

In his role debut as the Genoan Doge, the American baritone continues to burnish his bona fides as the premier Verdi baritone of his generation.

****1

Plus de critiques...

Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Flawed masterpiece: Missy Mazzoli's Breaking the Waves opens in Philadelphia