The root of all evil: The Miserly Knight

Par Mark Pullinger, 22 janvier 2015

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“Leiferkus’ flinty baritone is in remarkably good shape and he makes every word of the text count”

Critique faite à Royal Festival Hall, Londres, le 21 janvier 2015

Wagner, L'Or du Rhin (Das Rheingold) (Excerpts)

Rachmaninov, The Miserly Knight (Semi-staged)

Vladimir Jurowski, Direction

Annabel Arden, Mise en scène

Rowan Hellier, Wellgunde

Natalya Romaniw, Woglinde

Harriet Williams, Flosshilde

Peter Bronder, Froh, Moneylender

Vsevolod Grivnov, Loge, Albert

Sergei Leiferkus, Alberich, Baron

Albert Shagidullin, Donner, Duke

Maxim Mikhailov, Wotan, Servant

London Philharmonic Orchestra

L'Aida caricaturale d'Annabel Arden à Copenhague

Irma Foletti, 12th September

Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.

**111

Plaisir vocal et musical pour Aida à Montpellier

Irma Foletti, 4th October

Si le dispositif semi-scénique d'Annabel Arden convainc à moitié, la direction musicale et la distribution (avec Sunyoung Seo dans le rôle-titre) valent le détour.

***11

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Opera North’s “fleeing” Dutchman links to plight of asylum seekers

Richard Wilcocks, 1st February

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers.

****1

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

Bottled emotions uncorked in Glyndebourne's L'elisir d'amore revival

Dominic Lowe, 4th June

Strong singing and a punchy orchestral performance makes this latest revival of Donizetti's cheering village rom-com a hit.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

The root of all evil: Jurowski and the LPO pair Rachmaninov’s Miserly Knight with Wagner’s greedy dwarf