Music for star-crossed lovers with Ludovic Morlot and the RSNO

Roman Rabinovich, Ludovic Morlot and the RSNO

Par Simon Thompson, 03 décembre 2022

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“Rabinovich... a subtle pianist, playing Tchaikovsky’s warhorse with smoothness and lyricism”

Critique faite à Usher Hall, Edimbourg, le 2 décembre 2022

Wagner, Tristan et Isolde: Prélude et Liebestod

Tchaïkovski, Concerto pour piano et orchestre no. 1 en si bémol mineur, Op.23

Prokofiev, Roméo et Juliette : extraits

Roman Rabinovich, Piano

Royal Scottish National Orchestra

Ludovic Morlot, Direction

"Ode to Joy" au Glasgow Royal Concert Hall

Nicolas Tavernier, 28th May

Le RSNO a clôt sa saison samedi soir avec un programme Beethoven/Strauss.

***11

Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO

Simon Thompson, 24th April

On a return visit to the Royal Scottish National Orchestra, John Wilson shapes A London Symphony with melancholy sweep.

****1

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Felix Klieser plays Strauss with the RSNO, before Bruckner exodus

Simon Thompson, 21st February

Felix Klieser is quietly remarkable as he plays Strauss' First Horn Concerto with the RSNO, but why did so many people walk out during Bruckner's Eighth Symphony?

****1

Giedrė Šlekytė conducts the RSNO in passionate, exciting Mahler

Simon Thompson, 5th December

Giedrė Šlekytė makes a stellar conducting debut with the RSNO, while violinist Nemanja Radulović has a great look but a disappointingly ordinary sound.

****1

Mahler magic: RSNO opens season with the Seventh Symphony

Simon Thompson, 3rd October

The Royal Scottish National Orchestra and Thomas Søndergård open their season, continuing their Mahler cycle, with the Seventh Symphony.

****1

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Simon Thompson

Simon lives and works in Edinburgh, and teaches History and Modern Studies at a local high school when he is not writing about music. Born an Irishman, he is an enthusiastic adopted Scot, and has lived in the capital for fifteen years since university days, making the most of its many avenues for classical music. He spends his spare time enthusing about music, theatre, art and literature to anyone who will listen, including his long-suffering students, who have no choice.