Muddled symbolism: Verdi's Nabucco at Deutsche Oper Berlin

Par Karen Hunter, 20 janvier 2017

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Critique faite à Deutsche Oper, Berlin, le 14 janvier 2017

Verdi, Nabucco

Deutsche Oper Berlin

Paolo Arrivabeni, Direction

Keith Warner, Mise en scène

Tilo Steffens, Décors

Julia Müer, Costumes

Dalibor Jenis, Nabucco

Anna Smirnova, Abigaille

Irene Roberts, Fenena

Robert Watson, Ismaele

Liang Li, Zaccaria

Alexei Botnarciuc, High Priest

Chor der Deutschen Oper Berlin

Orchester der Deutschen Oper Berlin

Renaissance berlinoise pour les 7 Deaths of Maria Callas

Emma Granier, 8th April

Cette création-hommage à la Callas reprend les arias les plus célèbres de la chanteuse, habilement tissés entre eux par la musique de Marko Nikodijević et la présence de Marina Abramović.

****1

Tannhäuser au Deutsche Oper : tout avait pourtant si bien commencé...

Stéphane Lelièvre, 20th February

Mis en scène par Kirsten Harms, Tannhäuser s'avère inégal. Se distinguent Ante Jerkunica (en Landgrave royal) et Camilla Nylund, formidable dans sa double interprétation de Venus/Elisabeth.

**111

L’italiana in Algeri in the wrestling ring at Deutsche Oper Berlin

Zenaida des Aubris, 8th March

A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.

****1

Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper

Zenaida des Aubris, 25th January

David Hermann directs a new production of Korngold’s teenage opera, conducted by Sir Donald Runnicles, at the Deutsche Oper Berlin.

****1

Giordano's Fedora at the Deutsche Oper Berlin

Elena Luporini, 27th November

A new production of Fedora at the Deutsche Oper Berlin warms up the cold German winter, featuring strong lead performances by Vida Miknevičiūtė and Jonathan Tetelman.

***11

Thalheimer’s directs a static new Berlin Tristan und Isolde

Zenaida des Aubris, 1st November

At the start of his farewell to Deutsche Oper Berlin, Sir Donald Runnicles shines with his orchestra, supplying the passion and tension withheld in Michael Thalheimer’s production.

****1

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Karen Hunter

Karen Hunter graduated from the North Carolina School of the Arts and the St Louis Conservatory of Music, having trained as an oboist. In 1996 she traded a spot on the stage for a place in the audience with her permanent move to Berlin, Germany. Here she finds no shortage of great concerts to attend.