Seoul Philharmonic Orchestra at BBC Proms

Par Hazel Rowland, 29 août 2014

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“He tore the victory away with the entrance of the strings’ lamenting sigh”

Critique faite à Royal Albert Hall, Londres, le 27 août 2014

Debussy, La Mer

Chin, Šu, Concerto for sheng and orchestra

Tchaïkovski, Symphonie no. 6 en si mineur, «Pathétique», Op.74

Wu Wei, Sheng

Seoul Philharmonic Orchestra

Myung-whun Chung, Direction

Jaap van Zweden and the Seoul Philharmonic’s measured Mahler 6

SangKwon Lee, 19th March

That last movement proves the evening’s true point of reckoning in the Seoul Philharmonic's performance of Mahler’s Sixth Symphony at Lotte Concert Hall.

****1

Rhetoric over romance in Nikolai Lugansky's Chopin in Seoul

SangKwon Lee, 12th February

Ludovic Morlot conducts the Seoul Philharmonic Orchestra in three classics from the Romantic era: Berlioz, Chopin and Schumann.

***11

Jaap van Zweden tests Beethoven 9 in Seoul

SangKwon Lee, 18th December

At the Seoul Arts Center, Jaap van Zweden treats Beethoven’s disputed metronome marks less as provocation than instruction, trading bloom for voltage in a driven Beethoven Ninth Symphony.

**111

Jaap van Zweden and the Seoul Philharmonic impress on US tour

Susan Stempleski, 27th October

In their first visit to the US in over a decade, the Seoul Philharmonic display their abundant skills in a crowd-pleasing program pairing two concert staples with an impressive American premiere.

****1

Jaap van Zweden and the Seoul Philharmonic prepare for their US tour

SangKwon Lee, 1st October

The Seoul Philharmonic preview their forthcoming US-tour programme, featuring Bomsori Kim playing Mendelssohn’s Violin Concerto.

****1

Line, rhythm and spectrum: Jaap van Zweden and the Seoul Philharmonic

SangKwon Lee, 26th September

As a pre‑tour snapshot, this concert proves was unambiguous: an orchestra intent on renewing the canon in the language of now rather than sealing it behind glass.

****1

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Hazel Rowland

Hazel is in her final year reading music at Oxford University. As well being a classical music reviewer, she has written arts commentary for the Oxford Student and reviewed plays at the Edinburgh Fringe Festival. Her particular interests lies in early German Romantic music and in how classical music functions within contemporary popular culture. Follow her blog here.

Refinement and tragedy: Myung-Wung Chung and the Seoul Philharmonic Orchestra