A uniquely bold Roman trilogy in New York

Par Eric Dietz, 05 février 2016

Chargement en cours, veuillez patienter...

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“a big, fat triumph for New York Philharmonic and Charles Dutoit”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 3 février 2016

Mozart, Concerto pour piano no. 9 en mi bémol majeur, « Jeunehomme », K271

Mozart, Sonate pour piano no. 11 en la majeur « Alla Turca », K331 (K300i) (Arr Volodos)

Respighi, Fêtes romaines (Feste Romane), P157

Respighi, Les Fontaines de Rome (Le fontane di Roma), P106

Respighi, Les Pins de Rome (I pini di Roma), P141

Yuja Wang, Piano

New York Philharmonic

Charles Dutoit, Direction

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

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Eric Dietz

Eric is a composer/lyricist living in New York City. As a Broadway baby, Eric’s writing consists primarily of musical theatre and song (with a bit of Ravel thrown in). Having studied classically, he has composed a handful of chamber pieces and symphonic works. Eric is a graduate of Carnegie Mellon University. Visit www.ericdietzmusic.com for more