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Thomas Dausgaard and Seattle Symphony climb Strauss' magic mountain

Par Thomas May, 16 juin 2017
Chargement en cours, veuillez patienter...
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“The whispering string tremolos before the mighty storm shivered with delicious suspense”
Critique faite à Benaroya Hall, S Mark Taper Auditorium, Seattle, le 15 juin 2017
Programme
Strauss R., Quatre derniers lieder (Vier Letzte Lieder)
Strauss R., Morgen! Op.27 no.4
Strauss R., Une symphonie alpestre (Eine Alpensinfonie), Op.64
Artistes
Gun-Brit Barkmin, Soprano
Seattle Symphony
Thomas Dausgaard, Direction
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Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen
Thomas May, 8th May
Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.
****1
Nicholas McGegan brings delicacy and elegance to Mendelssohn
Erica Miner, 18th April
The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
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A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1
Ioffe conducts the Seattle Symphony in varied faces of Romanticism
Thomas May, 8th January
Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.
****1
Ivars Taurins leads the Seattle Symphony in Baroque feast
Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1
Morlot returns to lead Seattle Symphony’s season-closing showcase
Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot. 

****1
Plus de critiques...
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Gun-Brit BarkminMorgen! Op.27 no.4Quatre derniers lieder (Vier Letzte Lieder)Richard StraussSeattle SymphonyThomas DausgaardUne symphonie alpestre (Eine Alpensinfonie), Op.64
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Thomas May
Thomas May
Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.