A strong Violetta carries an uninspired Traviata revival

Par Dominic Lowe, 23 mai 2017

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“Mkhitaryan’s devotion to the role was convincing”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 21 mai 2017

Verdi, La traviata

Glyndebourne Festival Opera

Richard Farnes, Direction

Tom Cairns, Mise en scène

Hildegard Bechtler, Décors

Kristina Mkhitaryan, Violetta Valéry

Zach Borichevsky, Alfredo Germont

Igor Golovatenko, Giorgio Germont

Rihab Chaieb, Flora Bervoix

Gabriele Mangione, Gastone de Letorières

William Dazeley, Baron Douphol

Dan Shelvey, Marquis d'Obigny

Henry Waddington, Dr Grenvil

Eliza Safjan, Annina

London Philharmonic Orchestra

The Glyndebourne Chorus

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Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

A strong Violetta carries an uninspired Traviata revival at Glyndebourne