Zweden brings freshness to Beethoven’s Fifth

Par Sacha Evans, 28 novembre 2016

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“an unpretentious musician with a poet’s soul”

Critique faite à Severance Music Center: Mandel Concert Hall, Cleveland, le 26 novembre 2016

Britten, Sinfonia da Requiem, Op.20

Mozart, Concerto pour piano no. 23 en la majeur, K488

Beethoven, Symphonie no. 5 en ut mineur, Op.67

Daniil Trifonov, Piano

The Cleveland Orchestra

Jaap van Zweden, Direction

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

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Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

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The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

*****

A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

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An uneven symphonic pairing from Franz Welser-Möst in Cleveland

Frank Kuznik, 10th January

Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.

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Sacha Evans

Sacha Evans is an American critic with a focus on vocal music, particularly Baroque opera. She is a communications consultant by day, culture vulture by night. She currently resides in New York City and sings with the Manhattan Choral Ensemble. Learn more about her at: http://sachaevans.com

Jaap van Zweden and the Cleveland Orchestra bring freshness to Beethoven’s Fifth