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Wiener Staatsoper

'Can there be a more potent opera orchestra than the Vienna State Opera’s? I doubt it. It’s the low instruments that make the biggest impact – cellos, basses, tuba, trombones, contrabassoons... When the orchestra was in full cry at the points where the “higher powers” show their hand, the power was overwhelming. But the high instruments play their full part, not least with the high woodwind wail of the falcon’s cry. Throughout, Thielemann drew from his players an extraordinary richness of colour palette, providing the best possible demonstration of the compositional virtuosity in this score.' 

David Karlin, May 2019, Bachtrack

Fichier de données
Adresse1010 Vienna
Autriche
Capacité1709
ContainsGustav Mahler-Saal
Google maps48° 12' 11.945" N 16° 22' 9.119" E
Spectacles à venirEn voir plus...

ViennaAriodante

Haendel: Ariodante
Christophe Rousset; Sir David McVicar; Wiener Staatsoper; Vicki Mortimer; Stephanie Houtzeel; Chen Reiss

ViennaDie Weiden

Staud: Die Weiden
Graeme Jenkins; Andrea Moses; Wiener Staatsoper; Jan Pappelbaum; Kathrin Plath; Rachel Frenkel; Tomasz Konieczny

ViennaOrest

Trojahn: Orest
Michael Boder; Marco Arturo Marelli; Wiener Staatsoper; Mario Ferrara; Falk Bauer; Georg Nigl; Michael Laurenz

ViennaPeer Gynt

Grieg: Peer Gynt
Heinz Spoerli; Wiener Staatsballett; Simon Hewett; Guillermo García Calvo; Marko Japelj; Leo Kulaš

ViennaSolistenabend Simon Keenlyside | Thomas Adès

Unknown
Thomas Adès; Sir Simon Keenlyside
Critiques récentesEn voir plus...

Defiant Domingo's Macbeth wins them over at the Staatsoper

Plácido Domingo (Macbeth) © Michael Pöhn | Wiener Staatsoper GmbH
At 78, Domingo rages against the ravages of time, and – certainly in this production – shows the next generation a thing or two about stagecraft.

Simon Boccanegra tritt in Wien in große Fußstapfen

Marina Rebeka (Amelia Grimaldi), Simone Piazzola (Simon Boccanegra), Fabio Sartori (Gabriele Adorno) © Michael Pöhn | Wiener Staatsoper GmbH
Peter Steins Inszenierung spiegelt gekonnt ein Werk wider, in dem sich musikalische Schlichtheit und üppiger Klang abwechseln.

Herausragend dirigierte Madama Butterfly an der Wiener Staatsoper

Kristine Opolais (Cio-Cio-san) © Michael Pöhn | Wiener Staatsoper GmbH
Zwischen Jonathan Darlington und dem Staatsopernorchester stimmt an diesem Repertoireabend die Chemie.

Magische Jubiläumsaufführung von Die Frau ohne Schatten in Wien

Nina Stemme (Die Färberin) © Michael Pöhn | Wiener Staatsoper GmbH
Strauss-Versteher Christian Thielemann lädt am hundertsten Jahrestag der Welturaufführung zum musikalischen Träumen ein.

A spirited Midsummer Night’s Dream at the Wiener Staatsoper

Lawrence Zazzo (Oberon) and Erin Morley (Tytania) © Michael Pöhn | Wiener Staatsoper GmbH
Countertenor Lawrence Zazzo is more than at home in the role of Oberon, and possesses a vocal quality ideal for the scheming king of the fairies, simultaneously eerie and seductive.
Dominique Meyer © Wiener Staatsoper | Michael Poehn

Dominique Meyer says farewell to the Vienna State Opera

54 operas, including world premieres of Orlando, by Olga Neuwirth, and Persinette by Albin Fries. Dominique Meyer tells us all about his last season as Director of the Vienna State Opera.