Our privacy policy was last updated on Friday 25 May 2018View it hereDismiss
Bachtrack logo

Find articles

Improvising and crossing cultures: L'Arpeggiata founder Christina Pluhar

By , 16 March 2017
Read more

As contemporary as any composer today: Sir John Eliot Gardiner on Monteverdi

By , 16 March 2017
Read more

Baroque Inquisition: Akademie für Alte Musik Berlin's Bernhard Forck

By , 10 March 2017
Read more

A Monteverdi Odyssey: B'Rock Orchestra

By , 10 March 2017
Read more

“It’s not a Cinderella story”: Kristine Opolais on returning to Rusalka

By , 24 February 2017
Read more

“Throwing paint at the canvas”: Ryan Wigglesworth on composing his first opera

By , 24 February 2017
Read more

Brian Jagde on flawed characters and finding his voice

By , 23 February 2017
Read more

Familiar venue, new team: the new Grange Festival's artistic director Michael Chance

By , 22 February 2017
Read more

No cookie cutter soprano: Joyce El-Khoury on Violetta… and why Musetta is such fun

By , 21 February 2017
Read more

“On stage, your soul is naked”: Ermonela Jaho on her heartbreaking soprano roles

By , 17 February 2017
Read more

From rage to confession: Ferruccio Furlanetto on a lifetime with Philip II

By , 16 February 2017
Read more

“It boggles my mind!" Stuart Skelton on opera direction and tackling Tristan

By , 15 February 2017
Read more

Meaning behind every note: A Turkish première for Der Rosenkavalier

By , 10 February 2017
Read more

Sink or swim: soprano Sydney Mancasola on diving into new roles

By , 08 February 2017
Read more

Roberto Alagna: Frenchman, Sicilian, tenor, father, polyglot, hero, gypsy

By , 08 February 2017
Read more

“Violetta is my life's work”: Corinne Winters on Traviata and taking on new roles

By , 07 February 2017
Read more

“With new work, it's essential to take the audience out of its comfort zone”: interview with Stéphane Degout

By , 07 February 2017
Read more

“Opera is definitely thriving across the United States and in Canada”: In conversation with Marc A Scorca

By , 06 February 2017
Read more

“The discomfort is actually the point”: Kate Lindsey on Così fan tutte... and playing boys

By , 02 February 2017
Read more

Focus on contemporary music: interview with Eva Böcker, cellist at the Ensemble Modern

By , 27 January 2017
Read more