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Andreas Ottensamer on the Viennese clarinet tradition

By , 10 May 2018
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From Agnès to Ophelia to Isabel: Barbara Hannigan on tailor-made roles

By , 08 May 2018
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From the principal's desk: Oliver Janes, CBSO

By , 08 May 2018
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Discovering the essence of Nielsen: Nikolaj Znaider on the Carl Nielsen Competition

By , 04 May 2018
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“It’s the thin line between silence and sound": Martin Fröst on the soul of the clarinet

By , 02 May 2018
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Rutbert Reisch on the Birgit Nilsson Prize

By , 01 May 2018
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Exploring the sound world of Chopin on period pianos

By , 30 April 2018
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Climbing a choral mountain: David Hayes of NYChoral interviewed

By , 25 April 2018
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Back to the castle: Jere Erkkilä on Tchaikovsky’s Queen of Spades

By , 19 April 2018
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From Riga to Munich: Mariss Jansons on his musical journey

By , 18 April 2018
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Evolution, not revolution: Mischa Maisky interviewed

By , 16 April 2018
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Remember the root: Ksenija Sidorova on Latvia and classical accordion

By , 13 April 2018
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Discovery and drama: Thea Musgrave at 90

By , 12 April 2018
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Opera is essential to today’s society: Serge Dorny on Opéra de Lyon's DNA

By , 11 April 2018
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Making opera a living art form, not a museum art form: Aix Festival's Bernard Foccroulle

By , 10 April 2018
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Katowice’s rebirth through music: Alexander Liebreich on the Kultura Natura Festival

By , 04 April 2018
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Reigning in London: an audience with Anna Netrebko and Yusif Eyvazov

By , 03 April 2018
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Energy and punch: Sian Edwards on conducting Turnage's Coraline

By , 02 April 2018
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Dimitri Arnauts: creative liberty

By , 22 March 2018
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“I need solitude”: Unsuk Chin on literature, creativity and being an individual

By , 20 March 2018
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