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Utopia in a crazy world: Bang on a Can interviewed

By , 14 March 2018
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Christian Merlin: the 21st century orchestra, its intellectual construction and its sonic identity

By , 14 March 2018
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“There are rewards in taking risks”: Patricia Kopatchinskaja on new music and innovation

By , 08 March 2018
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Freedom within discipline: an Indian classical master on his sarod concerto

By , 07 March 2018
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Le Figaro’s Christian Merlin: “Who am I to pass judgement?”

By , 07 March 2018
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Accessing the future with Kronos Quartet

By , 01 March 2018
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Leading from the front: Sakari Oramo interviewed

By , 28 February 2018
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“Czech music is not just Dvořák, Smetana, Janáček": Marek Štilec on the project Czech Masters in Vienna

By , 26 February 2018
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Pierre Audi on Orpheus and thirty years of mythic mystery at Dutch National Opera

By , 26 February 2018
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The raw and realistic drama of Handel's Brockes Passion

By , 19 February 2018
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New Music Dublin: iconoclastic, eclectic and, above all, a good time

By , 09 February 2018
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Véronique Gens: “You mustn't just sing French music, you have to have fun with it"

By , 09 February 2018
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Recovering humanity through music: Jordi Savall

By , 05 February 2018
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Under the bonnet of the ARD Competition

By , 01 February 2018
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Mahan Esfahani: carrying the harpsichord into the next generation

By , 01 February 2018
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Tosca is like a movie”: Joseph Calleja on the genius of Puccini

By , 26 January 2018
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Stamping her personality with charm: Anna Bonitatibus on Rossini

By , 22 January 2018
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From La Scala to The Met: Carlo Rizzi’s view from the pit

By , 15 January 2018
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“They’re not victims!”: Lisette Oropesa on Donizetti’s heroines

By , 08 January 2018
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“A god for us baritones”: Dimitri Platanias on singing Verdi

By , 05 January 2018
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