Our privacy policy was last updated on Friday 25 May 2018View it hereDismiss
Bachtrack logo

Find articles

In at the deep end: Anita Rachvelishvili on Milan, Carmen and taking on Verdi's mezzo roles

By , 02 January 2018
Read more

The young face of LA Opera: Matthew Aucoin

By , 01 January 2018
Read more

Tannhäuser, Tristan and Der Ring in Budapest: Ádám Fischer talks Wagner

By , 27 December 2017
Read more

Finding violin virtuosi of the future: Glen Kwok on the International Violin Competition of Indianapolis

By , 22 December 2017
Read more

Users of Bachtrack At Home: “sphericon”

By , 21 December 2017
Read more

“Earth shattering”: Matthew Kofi Waldren on Verdi's Requiem

By , 19 December 2017
Read more

Carnegie Hall “Links Up” the concert hall and the classroom

By , 15 December 2017
Read more

“The repertoire picked me!”: Bryan Hymel on casting, seizing the day and doing the verismo double

By , 14 December 2017
Read more

Users of Bachtrack At Home: “Jack Steinbeck”

By , 13 December 2017
Read more

Eternally curious: An interview with Matthew Kofi Waldren

By , 11 December 2017
Read more

Delight, surprise and shock: Interview with music educator Paul Rissmann

By , 08 December 2017
Read more

Lifelong learners: Alexander Bernstein on Artful Learning

By , 01 December 2017
Read more

Singing the unhinged: Stuart Skelton on Otello, Grimes and other tortured roles

By , 01 December 2017
Read more

Passing the baton to the next generation with Cho-Liang Lin

By , 30 November 2017
Read more

The Trojans in Strasbourg: John Nelson on an epic operatic undertaking

By , 29 November 2017
Read more

“Offering competitions at the highest possible level": Benjamin Woodroffe, Secretary General of the WFIMC

By , 20 November 2017
Read more

Jean-Guihen Queyras, cellist with a thousand faces, on tour with the Orchestre Métropolitain of Montreal

By , 09 November 2017
Read more

Eyes on the prize: Interview with Gustav Alink

By , 06 November 2017
Read more

Taking control: Dominique Meyer on bringing technological innovation to the Wiener Staatsoper

By , 03 November 2017
Read more

“Committing to the truth of the moment”: the birth of a new opera company

By , 02 November 2017
Read more