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Birgit Nilsson 100: An homage of lavish proportions

By , 17 May 2018
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“As much as I love the mathematics of dance ... there must be something deeper which matters to me": Hofesh Shechter on his creative process

By , 17 May 2018
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“Once upon a time…”: An enchanting new season with the Bamberg Symphony

By , 16 May 2018
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Mozart, Finzi and fine wine: Michael Collins on a passion for the clarinet

By , 15 May 2018
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The mystery of the craft: The Donatella Flick Conducting Competition

By , 14 May 2018
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From the principal's desk: Matthias Schorn and Daniel Ottensamer, Vienna Philharmonic

By , 11 May 2018
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A Puccini cornucopia and plenty more: Hungarian State Opera's 2018-9 season

By , 11 May 2018
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Andreas Ottensamer on the Viennese clarinet tradition

By , 10 May 2018
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From Agnès to Ophelia to Isabel: Barbara Hannigan on tailor-made roles

By , 08 May 2018
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From the principal's desk: Oliver Janes, CBSO

By , 08 May 2018
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The Palau de la Música 2018-19 season: plenty of everything and for everyone

By , 08 May 2018
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Discovering the essence of Nielsen: Nikolaj Znaider on the Carl Nielsen Competition

By , 04 May 2018
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A birthday bouquet for the Wiener Staatsoper’s 150th anniversary season

By , 03 May 2018
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“It’s the thin line between silence and sound": Martin Fröst on the soul of the clarinet

By , 02 May 2018
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Mozart’s muse: Anton Stadler and the basset clarinet

By , 02 May 2018
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Top Ten Clarinet Concertos

By , 02 May 2018
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Rutbert Reisch on the Birgit Nilsson Prize

By , 01 May 2018
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Exploring the sound world of Chopin on period pianos

By , 30 April 2018
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Success and sustainability: The art of being a festival director

By , 27 April 2018
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Misfits and magic: Deutsche Oper’s 2018-19 season unmasked

By , 26 April 2018
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