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Climbing a choral mountain: David Hayes of NYChoral interviewed

By , 25 April 2018
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Speranza Scappucci heads up an Italian season at Opéra Royal de Wallonie-Liège

By , 24 April 2018
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Death, despair, glitter, high and low art: the 2018 Santa Fe Opera Festival

By , 23 April 2018
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From an artistic Elysium to murky Fleet Street: rarities among the new productions at Zurich Opera

By , 20 April 2018
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Postcard from Rome: all roads lead to the Eternal City

By , 20 April 2018
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Opinion: Relax, guys, it’s Twitter!

By , 19 April 2018
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Back to the castle: Jere Erkkilä on Tchaikovsky’s Queen of Spades

By , 19 April 2018
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Kazushi Ono takes Tokyo’s New National Theatre in exciting new directions

By , 18 April 2018
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From Riga to Munich: Mariss Jansons on his musical journey

By , 18 April 2018
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A taste of Italy: Five alternative destinations you don't want to miss

By , 17 April 2018
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Evolution, not revolution: Mischa Maisky interviewed

By , 16 April 2018
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Bachtrack's nine alternative places for cultural travellers

By , 13 April 2018
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Remember the root: Ksenija Sidorova on Latvia and classical accordion

By , 13 April 2018
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Discovery and drama: Thea Musgrave at 90

By , 12 April 2018
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Opera is essential to today’s society: Serge Dorny on Opéra de Lyon's DNA

By , 11 April 2018
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Making opera a living art form, not a museum art form: Aix Festival's Bernard Foccroulle

By , 10 April 2018
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From Straussian pyrotechnics to Mozartian Enlightenment: the 2018 Festival d'Aix

By , 10 April 2018
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Summer relaxation at the Varignana Festival

By , 09 April 2018
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“See you in Kuhmo!”: A performer’s perspective

By , 06 April 2018
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When classical music goes wild: top 10 outdoor festivals

By , 05 April 2018
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