Find articles

The Italian clarinettist talks about his life in Rome and shares his memories of Claudio Abbado.

The German clarinettist, or rather his father, had a very pragmatic approach when it came to choosing the right instrument.

As he awaits the swan to pull him into another new production, Klaus Florian Vogt reflects on Lohengrin and his other Wagner roles.

From Mahler’s Resurrection to Elgar's Gerontius, a season of great works brought to venues in the Southwest. 

The German clarinettist shares her experience as an orchestral musician and soloist and her love for Mozart.

In the fantasy world of the people drafting the GDPR, businesses would change their ways to impose self-restraint in the use of personal data and draft clear, straightforward notices. Here's what actually happened.

In the wake of her receiving the Birgit Nilsson Prize, the Swedish soprano discusses the development of her lauded career and what the future might hold. 

It was hearing Richard Mühlfeld play clarinet in the Meiningen Orchestra that tempted Brahms out of retirement to compose four gems of the chamber repertoire.

A classical music talent show supported by Plácido Domingo has become a blockbuster in Hungary. Plans have now been announced for UK and US versions. We ask: can the show bring classical music to a mass audience?

The American clarinettist shares his love for Rachmaninov's Second Symphony and his thoughts on a Mozart-Copland hybrid concerto.

The German clarinettist talks about his love for Weber and his attempt to see the music from all angles.

Before his debut in Carnegie’s Zankel Hall, pianist and composer Thomas Nickell shares his opinions on an interpreter’s mandate and artistic freedom.

Robert Plane talks about his time with the BBC NOW and how he was inspired by Jack Brymer playing the Mozart Concerto.

For their latest Top Ten playlist for Clarinet Month, our editors chose their favourite sonatas. 

Welsh composer Huw Watkins reflects on the thinking that led to his opera In the Locked Room, created in partnership with librettist David Harsent.

Scottish Opera launches an eclectic mix of main house productions, touring activity and a large emphasis on youngsters in Scotland’s Year of Young People.

Parisians with an appetite for contemporary dance have been lucky this Spring, with two opportunities to see the work of Hofesh Shechter. In between rehearsals, Bachtrack writer Laurine Mortha caught up with him

Antony Pay has been with the OAE since the beginning, or rather, since they included clarinets in the concerts.

A heavyweight tribute to the great Swedish soprano that would grace any coffee table strong enough to support it!

With storytellers and fairytales, the Bamberg Symphony promises a charming new season 2018-19.