In a singularly ambitious undertaking, the virtuoso percussionist and conductor leads a three-day festival in Manchester exploring nearly five decades of Steve Reich’s music.
Mezzo-soprano Jessica Gillingwater and tenor Peter Davoren reveal how demanding being a member of the BBC Singers is – and how they approach singing such a wide variety of music.
Christoph Poppen, new jury co-chair of the Hong Kong International Conducting Competition, argues that the competition valuable because it allows young conductors to meet one another, in what is an otherwise lonely profession.
With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.
Ahead of the 2026 ARD International Music Competition, Quatuor Ébène’s Pierre Colombet and Gabriel Le Magadure talk about the competition’s transformative effect on their career, performing Beethoven around the world, and advocating for chamber music.
Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.
Après des études de philosophie à l’ENS de Lyon et de politiques culturelles à l’Université de Paris, Nicolas se tourne vers la gestion culturelle à HEC Paris. Formé aux conservatoires de Lille et de Lyon en piano et en écriture, il consacre ses projets personnels au dialogue entre la musique et les autres arts comme organisateur de ciné-concerts (S’émanciné), de lectures performées (CIE 44) et autres formats pluridisciplinaires.
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