One of the strongest advocates for traditional Estonian folksong, or regilaul, Veljo Tormis’ unique music is celebrated this year with a worldwide singing contest.
With an eclectic programming ethos, and some of the finest acoustics in the Netherlands, the Muziekgebouw aan ’t IJ is about as adaptable as it’s possible for a modern concert hall to be.
Choral conductor Ingrid Mänd discusses the phenomenon of choral singing in Estonia, Veljo Tormis’ haunting Forgotten Peoples, and the thousands gathering for the Tartu Song and Dance Festival.
Exploring choral selections from Sweden, Chile, Russia, Ukraine, Canada, Dominica and Nigeria, to bring a variety of festive splendour to the end of this year.
The prolific Polish choral composer tells us about Polish sacred music and about his new festival that will introduce British audiences to this unfamiliar genre.
The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
