Focus contemporain : rencontre avec Jocelyne Roy, flûtiste au Nouvel Ensemble Moderne de Montréal

Christopher Carr talks about the challenges of resetting Ashton’s Birthday Offering for a new generation, and how grateful he is to have notation to refer to the original choreography.

Liam Francis talks openly about creating a new dance company, finding his choreographic voice, successes and insecurities, and a circuitous route to securing a life in dance.

Longtime music journalist and founder of ArtsJournal talks about the multiple crises facing orchestras and arts organisations in the United States, amid the damage wrought by the second Trump administration.

The leading US soprano talks about her experiences singing one of opera’s most devastating roles, which she takes to Brno this autumn.

Christoph Poppen, new jury co-chair of the Hong Kong International Conducting Competition, argues that the competition valuable because it allows young conductors to meet one another, in what is an otherwise lonely profession.

With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.