In the footsteps of Stradivarius: inside a Cremona workshop

Lucas Javier Fabro

The violin's passport of authenticity

Lucas at work with a reed

By Alison Karlin, 08 October 2018

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“This isn't a business for impatient people, nor is it one where you can be too frugal with the wood”

Peter Quantrill, 12th March

The Serbian-French violinist talks about what makes the George Enescu International Competition special, his experiences winning in 2001, and performing Enescu, Beethoven and Prokofiev.

How to change your life: Augustin Hadelich

Frank Kuznik, 1st December

Renowned German violinist talks about the life-changing effects of International Violin Competition of Indianapolis, how it feels more like a violin festival, and how there are no small or big concerts.

Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

Lawrence Dunn, 3rd November

Taking a broad look at the current state of Early music across Europe, we talk to young artists in several countries – beginning with talented young Czech violinist, Vojtěch Jakl.

Sunshine and vitamins: Mozart’s Violin Concerto no. 5

Bachtrack, 10th October

The City of Birmingham Symphony’s leader talks about leading Mozart’s last Violin Concerto – a work full of sunshine, clarity and transparency.

From the first bar: Bomsori journeys with Seoul Philharmonic

SangKwon Lee, 1st October

The Korean violinist talks about making her debut with the Seoul Philharmonic, and heading to the US on a tour which includes the orchestra’s first Carnegie Hall appearance for 18 years.

Future uncertain for pernambuco bows

Bachtrack, 25th July

Used to make string instrument bows for more than 200 years, Brazilian authorities wish to tighten trade on the critically endangered brazilwood tree, due to repeated illegal exploitation.

Alison Karlin

Co-founder of Bachtrack, Alison handles sales, marketing and PR for the site. When not at the opera with David, or travelling around Europe, she can often be found either on the tennis court, singing or swimming. JS Bach instrumental music is required listening when thinking time is required, while Mahler is reserved for off duty time. Alison is passionate about bringing children and new listeners to classical music and opera.

In the footsteps of Stradivarius: inside the violin workshop of a Cremona luthier