Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.
Ahead of a return to Prague to perform with the Czech Philharmonic, Anastasia Kobekina talks about Bryce Dessner’s new cello concerto, Trembling Earth, her love for Dvořák, and exploring new instruments.
Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.
Founder of celebrated young vocal ensemble Cantoría talks about being a musical organiser, singing musical ensaladas, and how Barcelona might be the capital of Early music on the Iberian peninsula.
Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.
Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.
Juan José Freijo nació en Madrid en 1970. Desde siempre apasionado por el estudio de la música, sus intereses orbitan principalmente alrededor de la ópera y el género vocal. Inició su formación y carrera profesional en el campo de las ciencias, donde completó un doctorado en física aplicada. Más adelante, amplió su formación en diferentes áreas de humanidades, incluyendo estudios en historia del arte y en la actualidad un postgrado en filosofía teórica y práctica. Juan José Freijo sigue de cerca las temporadas de las principales capitales europeas y durante los últimos años ha estado a cargo de la sección de crítica musical de ocioxocio.com.
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