Ahead of performances with Insula orchestra in February, the South Korean pianist talks about taking inspiration from Beethoven’s harmony, early pianos, and making musical choices that are maximally persuasive.
From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
The young Austrian pianist reunites with Jakub Hrůša and the Bamberg Symphony Orchestra for a tour this November. He talks about taking inspiration from improvisation, and being an “accidental” artist...
Jan Lisiecki, this season’s Spotlight Artist with the Toronto Symphony Orchestra, delves into the significance of Beethoven’s five piano concertos, which he leads from the keyboard in a thrilling two-night marathon.
Deutsche Grammophon’s STAGE+ has assembled a comprehensive archive of Karajan’s recordings, concert films and opera performances – which did much to define the sound of classical music in the 20th century.
Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.
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