On the trail of Offenbach: interview with Jean-Christophe Keck

Jacques Offenbach

By Tristan Labouret, 25 October 2019

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“we discovered an Offenbach who had been previously unsuspected”

Elodie Olson-Coons, 22nd June

Elodie Olson-Coons tells the tales of Jacques Offenbach’s inescapably dark opéra fantastique.

Before the war came: why The Green Table is urgent today

Bachtrack, 20th May

Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.

Diversity and recovery: Early music in Croatia

Lawrence Dunn, 13th May

A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.

Kith and kin: Brett Dean and family prepare Of One Blood

Lawrence Dunn, 1st May

Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.

Attuned to the times: Anastasia Kobekina in Prague

Charlotte Gardner, 30th April

Ahead of a return to Prague to perform with the Czech Philharmonic, Anastasia Kobekina talks about Bryce Dessner’s new cello concerto, Trembling Earth, her love for Dvořák, and exploring new instruments.

Rambert School, Juilliard School, McGregor: triple threat!

Deborah Weiss, 29th April

Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.