Contemporary opera has bounced back from the disruptions of the pandemic with significant gusto. We look ahead to several major operatic world premieres in the 2023–24 season.
Inspired by grime, Jean Michel Basquiat, and the legacies of colonialism, composer Hannah Kendall talks about how music is always about more than just music.
The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.
The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.
The Royal College of Music offers an enviable nurturing ground for the next generation of operatic talent. Audrey Hyland, head of the Vocal and Opera faculty, talks about what makes the department special.
Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.
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