The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.
How to defamiliarize Mozart’s well known piano concertos? This April pianist Cristian Sandrin joins the London Mozart Players for new chamber arrangements of three concertos, for solo piano and string quartet.
Chanda VanderHart talks to the American tenor about his Tristan debut at the Met, his love for Vienna and Otto Schenk, and the incredible scope of his repertoire.
From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Fact v fiction: with a new television serialisation of Shaffer’s play about to screen, just how mediocre a composer was Salieri and how did the myth that Salieri poisoned Mozart take hold?
Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.
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