From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Awarded with the 2025 Antonín Dvořák Award together with her husband Sir Simon Rattle, Magdalena Kožená talks about the richness of Czech music, language barriers, and the importance of reading programme notes.
What changes did the classical music world see in 2024? Are existing trends continuing, or slowing? With more than 30,000 listings across 48 countries, Bachtrack offers a valuable snapshot into the classical music world.
The Finnish soprano doesn’t like the word evil. Her approach to singing villain roles is to find the humanity in the character – which is always there.
One of Janáček’s greatest works, the Glagolitic Mass sets Old Church Slavonic in the composer’s inimitable melodic style. Organist Daniela Kosinová talks about this unique piece – and its fearsome organ solo.
Janáček was heavily influenced by folk music and speech inflections of his native Moravia. The vast majority of his greatest works come from his final decade, inspired by his infatuation with Kamila Stösslová.
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.
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