An interview with Matthew Kofi Waldren

By Alison Karlin, 11 December 2017

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“I suppose I have a 3D understanding of opera”

Eleanor Knight, 24th April

Founder of celebrated young vocal ensemble Cantoría talks about being a musical organiser, singing musical ensaladas, and how Barcelona might be the capital of Early music on the Iberian peninsula.

On a whim: Hina Maeda on the Wieniawski Competition

Nahoko Gotoh, 23rd April

Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.

From Paris to Weimar with Anne Sofie von Otter

Kevin W Ng, 17th April

Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.

Cultural activism: Leticia Moreno in Singapore

Frank Kuznik, 14th April

The Spanish violinist makes her Sinagpore debut in May performing Szymanowski. She talks about taking repertoire to new places, and being an advocate for unusual Spanish music.

From Salzburg, with love: Hans Graf bids farewell to Singapore

Peter Quantrill, 7th April

The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.

Elim Chan: from Sorcerer’s Apprentice to Proms Queen

Mark Pullinger, 7th April

The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.

Alison Karlin

Co-founder of Bachtrack, Alison handles sales, marketing and PR for the site. When not at the opera with David, or travelling around Europe, she can often be found either on the tennis court, singing or swimming. JS Bach instrumental music is required listening when thinking time is required, while Mahler is reserved for off duty time. Alison is passionate about bringing children and new listeners to classical music and opera.

Eternally curious: An interview with Matthew Kofi Waldren