Nemanja Radulović : a free spirit with an open heart

Nemanja Radulovic

By Tristan Labouret, 22 October 2018

Loading, please wait...

“I always try to find a story to tell in a piece”

Nahoko Gotoh, 23rd April

Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.

Rhapsody in Bucharest: Nemanja Radulović on the Enescu Competition

Peter Quantrill, 12th March

The Serbian-French violinist talks about what makes the George Enescu International Competition special, his experiences winning in 2001, and performing Enescu, Beethoven and Prokofiev.

How to change your life: Augustin Hadelich

Frank Kuznik, 1st December

Renowned German violinist talks about the life-changing effects of International Violin Competition of Indianapolis, how it feels more like a violin festival, and how there are no small or big concerts.

Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

Lawrence Dunn, 3rd November

Taking a broad look at the current state of Early music across Europe, we talk to young artists in several countries – beginning with talented young Czech violinist, Vojtěch Jakl.

Sunshine and vitamins: Mozart’s Violin Concerto no. 5

Bachtrack, 10th October

The City of Birmingham Symphony’s leader talks about leading Mozart’s last Violin Concerto – a work full of sunshine, clarity and transparency.

From the first bar: Bomsori journeys with Seoul Philharmonic

SangKwon Lee, 1st October

The Korean violinist talks about making her debut with the Seoul Philharmonic, and heading to the US on a tour which includes the orchestra’s first Carnegie Hall appearance for 18 years.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.