Chanda VanderHart talks to the American tenor about his Tristan debut at the Met, his love for Vienna and Otto Schenk, and the incredible scope of his repertoire.
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.
In 2026, Opéra national de Paris presents its first complete cycle of Wagner’s Ring for over a decade, with productions directed by Calixto Bieito. We dig into these striking and provocative productions...
From fulfilling funerary functions, to eulogising friends and fellow artists, or lamenting the waste of war: here are some of the finest examples of music written in mourning.
Bachtrack’s 25,000th review marks 15 years of global classical music and dance coverage. Discover in-depth, professionally edited reviews in multiple languages from 37 countries – and tip your hat to our wonderful editors and reviewers.
The iconoclastic Spanish director talks about a new production of Mussorgsky’s Khovanshchina in Geneva – and the messy, anarchic, utopian struggle of directing opera.
Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.
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