The concertmaster of Borusan Istanbul Philharmonic Orchestra tells us about her love for Schubert’s famous symphony, which the orchestra plays on their UK tour in April.
The renowned Norwegian pianist talks about Geirr Tveitt – the “Norwegian Bartók” – and his continuing love for Brahms and Schubert, ahead of a recital in Lugano in March.
Christoph Poppen, new jury co-chair of the Hong Kong International Conducting Competition, argues that the competition valuable because it allows young conductors to meet one another, in what is an otherwise lonely profession.
With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.
Ahead of the 2026 ARD International Music Competition, Quatuor Ébène’s Pierre Colombet and Gabriel Le Magadure talk about the competition’s transformative effect on their career, performing Beethoven around the world, and advocating for chamber music.
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.
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