One of the strongest advocates for traditional Estonian folksong, or regilaul, Veljo Tormis’ unique music is celebrated this year with a worldwide singing contest.
With an eclectic programming ethos, and some of the finest acoustics in the Netherlands, the Muziekgebouw aan ’t IJ is about as adaptable as it’s possible for a modern concert hall to be.
Choral conductor Ingrid Mänd discusses the phenomenon of choral singing in Estonia, Veljo Tormis’ haunting Forgotten Peoples, and the thousands gathering for the Tartu Song and Dance Festival.
Exploring choral selections from Sweden, Chile, Russia, Ukraine, Canada, Dominica and Nigeria, to bring a variety of festive splendour to the end of this year.
The prolific Polish choral composer tells us about Polish sacred music and about his new festival that will introduce British audiences to this unfamiliar genre.
The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.
Co-founder of Bachtrack, Alison handles sales, marketing and PR for the site. When not at the opera with David, or travelling around Europe, she can often be found either on the tennis court, singing or swimming. JS Bach instrumental music is required listening when thinking time is required, while Mahler is reserved for off duty time. Alison is passionate about bringing children and new listeners to classical music and opera.
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