Among the most performed living composers by orchestras worldwide, Montgomery talks about her personal approach to musical storytelling, and writing a new cello concerto for Abel Selaocoe.
Returning to conduct Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia this November, John Adams reflects on the situation of music in the US – and why he has so often been labelled a ‘political’ composer.
The London venue’s Artistic Director talks about Wigmore Hall’s 125th anniversary season, programming 600 concerts – and finding ways to pay for it all.
The world stands agog as the US undergoes another election. These composers sought to reveal the brokenness of US politics – and the ability of the American people to come together in spite of it.
Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.
Laurence was born and grew up in Los Angeles; his father was a writer and his mother a teacher. He trained as a cellist, a librarian and a critic. His company was a major supplier to the music and recordings collections of the Library of Congress, Bibliothèque Nationale, British Library, Stanford, Harvard and Yale. He introduced French Harmonia Mundi, Hyperion, Chandos and Naxos to the North American market. Laurence believes that writing about music unleashes the potential of the classical music industry. He writes for the Huffington Post, Gramophone, Bachtrack, Strings, Audiophile Audition, and the Southern California Early Music Society.
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