Ten works revealing the paradox of Chopin: a composer outwardly delicate, inwardly steely; rooted in Polish dance rhythms, yet formed in Parisian sophistication.
Vanessa Latarche, professor of Piano at the Royal College of Music and chair of Hastings’ jury, talks about what makes the competition special, working with Sir Stephen Hough, and being a stickler for fairness.
Widely admired for her recordings of Scarlatti and Clementi, Maria Tipo was a prolific concert artist and influential teacher at conservatories in Florence, Geneva and Bolzano.
Ahead of a performance at London’s Sinfonia Smith Square, pianist Cristian Sandrin talks about commissioning three new variations from composers Farhad Poupel, Louise Drewett and Philip Dutton, and his aim to create a new view of Bach’s music.
The Russian pianist talks about his recent triumph at the Classic Piano International Competition in Dubai – and how his opposition to the war in Ukraine has changed his musical life.
Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.
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