Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.
Erkki-Sven Tüür talks about making sanctuary on Hiiumaa, a wild island to Estonia’s west, and his interest in writing concertos, seen “through the eyes of someone who observes the world very closely”.
The Toronto-born composer talks about new work Romanza for piano and orchestra, theatricality in music, taking influences from psychology, and the effect on his music of working for the United Nations.
Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.
A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.
Co-founder of Bachtrack, Alison handles sales, marketing and PR for the site. When not at the opera with David, or travelling around Europe, she can often be found either on the tennis court, singing or swimming. JS Bach instrumental music is required listening when thinking time is required, while Mahler is reserved for off duty time. Alison is passionate about bringing children and new listeners to classical music and opera.
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