Wider die Suche nach der verlorenen Zeit

By Snapdragon, 24 April 2016

Loading, please wait...

See full listing

“wollte man ein Bild für Bengtssons Sopran finden, könnte es schwere, silbrig glänzende Seide sein”

Reviewed at Theater an der Wien, Vienna on 21 April 2016

Strauss R., Capriccio

MusikTheater an der Wien

Bertrand de Billy, Conductor

Tatjana Gürbaca, Director

Henrik Ahr, Set Designer

Barbara Drosihn, Costume Designer

Maria Bengtsson, The Countess

Tanja Ariane Baumgartner, Clairon

Daniel Behle, Flamand

Daniel Schmutzhard, Olivier

Andrè Schuen, The Count

Lars Woldt, La Roche

Elena Galitskaya, Soprano

Jörg Schneider, Tenor

Vienna Symphony Orchestra

Agnes Guk, Dancer

Stefan Herheim’s bold Fledermaus at MusikTheater an der Wien

Chanda VanderHart, 13th October

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

****1

Miroslav Srnka’s Voice Killer premieres at MusikTheater an der Wien

Chanda VanderHart, 16th June

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

****1

Fish, frocks and farce: a Prokofiev romp in Vienna

Chanda VanderHart, 28th March

Damiano Michieletto directs a slick and frequently hilarious staging of Prokofiev's comic opera Betrothal in a Monastery.

***11

Grigorian and Akhmetshina dazzle in a secular Norma

Chanda VanderHart, 19th February

In a week where Vienna welcomes two new productions of Bellini's Norma, MusikTheater an der Wien sets a high bar with Vasily Barkhatov's staging.

****1

Freitag, der Dreizehnte celebrates Schoenberg at the Reaktor

Chanda VanderHart, 28th April

What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

****1

Not quite a premiere, not quite a success: Salieri’s Kublai Khan

Chanda VanderHart, 7th April

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.

***11

More reviews...

Snapdragon

Snapdragon is an experienced concert- and opera-goer in Vienna and other music metropoles. Musical emphases include opera (especially Baroque opera) and piano music. As an Austrian native, Snapdragon can’t resist an operetta every now and then.

Capriccio im Theater an der Wien: Wider die Suche nach der verlorenen Zeit