Szenische Verniedlichung berührender Musik

By Christoph Wurzel, 29 September 2015

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“Wie ein feines Gewebe verschmolzen die auf vielfältige Weise erzeugten Klangereignisse”

Reviewed at Oper Frankfurt, Frankfurt am Main on 27 September 2015

Lachenmann, Das Mädchen mit den Schwefelhölzern

Oper Frankfurt

Erik Nielsen, Conductor

Matthias Hermann, Conductor

Benedikt von Peter, Director

Natascha von Steiger, Set Designer

Christine Graham, Soprano

Cinzia Fossati, Costume Designer

Yuko Kakuta, Soprano

Yukiko Sugawara, Piano

Tomoko Hemmi, Piano

Mayumi Miyata, Sho

Helmut Lachenmann, Vocals

Michael Mendl, Actor

Opera Frankfurt Orchestra

Joachim Klein, Lighting Designer

Bert Zander, Video

Michael Alber, Choirmaster / chorus director

It's party time onstage: Carl Nielsen's Maskarade at Oper Frankfurt

Kevin W Ng, 20th November

Carl Nielsen's Maskarade makes a welcome rare appearance, with a great time had by everyone onstage and off.

***11

Christof Loy’s Lonely Hearts Club at Oper Frankfurt

Mark Pullinger, 26th March

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.

*****

Indomitable: Billy Budd in Frankfurt

Matthew Rye, 25th May

Oper Frankfurt's revival of Richard Jones's production of Billy Budd with a homegrown cast is a devastating combination of powerful music and searing drama.

*****

Words or music? Collaboration or resistance? A new Capriccio in Frankfurt

John Johnston, 24th January

Camilla Nylund’s rich, ample voice bloomed in the glorious setting of the sonnet, cosseted by burnished horn playing, in Strauss' unsurpassed operatic farewell to the soprano voice.

****1

Iain Paterson's Dutchman drops anchor in Frankfurt

John Johnston, 20th May

Iain Paterson's house debut as the Holländer was sufficient reason to drop anchor in the Main for this revival of David Bösch's 2015 production.

***11

A dark and stunning new Rigoletto

Ako Imamura, 28th April

Oper Frankfurt's new production of Rigoletto focuses on the dark side of the tragedy with excellent singing from the two principals.

****1

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Christoph Wurzel

Nach dem Studium der Germanistik, Politikwissenschaft, Philosophie und Musikwissenschaft war Christoph Wurzel lange im pädagogischen Bereich tätig. Er interessiert sich besonders für die gesellschaftlich relevanten Aspekte der Musik. Er lebt in Baden – Baden und schreibt für verschiedene Magazine in Deutschland.

Szenische Verniedlichung berührender Musik: Lachenmanns Mädchen mit den Schwefelhölzern in Frankfurt