Solides Feiertagsprogramm: Dvořáks Stabat Mater in Salzburg

By Isabella Steppan, 22 April 2019

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“Elisabeth Kulman und René Pape waren eine Klasse für sich”

Reviewed at Großes Festspielhaus, Salzburg on 19 April 2019

Dvořák, Stabat Mater, Op.58

Venera Gimadieva, Soprano

Elisabeth Kulman, Mezzo-soprano

Tomislav Mužek, Tenor

René Pape, Bass

Bavarian Radio Choir

Howard Arman

Staatskapelle Dresden

Christoph Eschenbach, Conductor

Schumann from the inside out: Yunchan Lim and Staatskapelle Dresden

SangKwon Lee, 1st February

Yunchan Lim seldom seeks the spotlight in a reflective, conversational account of Schumann's Piano Concerto, conducted by Myung-whun Chung.

*****

High-caliber Schumann and Mahler at Dvořák’s Prague

Frank Kuznik, 14th September

Daniele Gatti and Kirill Gerstein offer fresh, invigorating takes on two warhorses with the Staatskapelle Dresden.

*****

Thielemann bids farewell to Dresden with an excellent new FroSch

Ako Imamura, 27th March

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor.

*****

Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Zenaida des Aubris, 10th February

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style.

*****

Moving singing, but missed opportunities in Dresden’s new Aida

Zoltán Szabó, 17th March

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

***11

Prom 63: Explosive Rachmaninov from Yuja Wang

Stephen Pritchard, 5th September

Outstanding playing from soloist and Staatskapelle Dresden makes this a Prom to remember.

*****

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Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.

Solides Feiertagsprogramm: Dvořáks Stabat Mater bei den Salzburger Osterfestspielen