Eröffnungskonzert der 47. Darmstädter Ferienkurse

By Saori Kanemaki, 05 August 2014

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“Es ist nicht nur ein zeitliches, sondern auch räumliches Musikereignis”

Reviewed at Böllenfalltorhalle, Darmstadt on 2 August 2014

Stockhausen, Carré (Square), no. 10 for four orchestras and four choirs

Birtwistle, Cortege, for ensemble

Ensemble Musikfabrik

Frankfurt Radio Symphony

Konzertchor Darmstadt

Lucas Vis, Conductor

Clement Power, Conductor

Christian Karlsen, Conductor

Wolfgang Seeliger, Conductor

Altinoglu and Rachlin reveal the dark side of the 20th-century ethos

Edward Sava-Segal, 8th September

At the George Enescu International Festival, the Frankfurt Radio Symphony plays music without consolation by Sibelius and Shostakovich.

****1

A boisterous opening at the Dvořák Prague Festival

Frank Kuznik, 5th September

Alain Altinoglu and the Frankfurt Radio Symphony Orchestra leave a lot to the imagination in a fiery treatment of two signature Dvořák works.

***11

French rarities from Alain Altinoglu and the Frankfurt Radio Symphony

Alexander Hall, 21st March

On paper this looked entrancing: a French conductor with Armenian roots assaying a score of oriental splendour. It was the first half, however, with Dutilleux and Debussy that satisfied more.

***11

Andrés Orozco-Estrada gives farewell concert with the Frankfurt RSO

Alexander Hall, 27th June

Partnering Augustin Hadelich in the Sibelius Violin Concerto and directing two works by Mendelssohn, Andrés Orozco-Estrada doesn't quite temper acoustic problems associated with the ecclesiastical venue.

****1

Sergey Malov makes the case for “off the shoulder” Boccherini

Laurence Vittes, 28th January

In a world of Sergey Malovs the violoncello da spalla could have been a contender.

****1

A Greek connection: Constantinos Carydis in Frankfurt

Alexander Hall, 14th January

In this musical journey the Greek conductor Constantinos Carydis takes you to Athens and Crete, while Igor Levit explores Apollonian qualities in Mozart.

***11

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Saori Kanemaki

Saori Kanemaki, geboren in Tokio (Japan), lebt seit 2007 in Deutschland. Von 2008 bis 2014 studierte sie Musikwissenschaft an der Humboldt-Universität zu Berlin. Ihr Schwerpunkt liegt auf der Musik des 20. und 21. Jahrhunderts. Zur Zeit beschäftigt sie sich mit dem Erwerb ihres PhD mit dem Thema Trans- und Interkulturalität in der Neuen Musik.

Die 47. Internationalen Ferienkurse für Neue Musik eröffnen mit der Darmstädter Erstaufführung von Stockhausens Carré