Brillantes Festivalfinale des Heidelberger Frühlings mit dem WDR Sinfonieorchester und Gautier Capuçon

Brio is one important element in the mining of Romantic feeling. Not everything worked in this combination of Mendelssohn, Bruch and Schumann.

A strong connection between Manfred Honeck and the WDR musicians was clearly palpable during the entire performance.

Romanticism found both its source and its end at Salle Pleyel on Tuesday night: Beethoven’s Egmont overture, incidental music for a heroic drama written by Goethe, and his Fifth Symphony, where it has been said that “Fate knocks at the door” – both works composed before 1810 – and Richard Strauss’ Four Last Songs, created in 1948, when the last notes of Romanticism in music history were dying slow

The WDR Sinfonieorchester Köln put its fate in the hands of the younger generation for this evening’s concert. Conductor Kazuki Yamada is only 34. The original violin soloist was to have been Lisa Batiashvili, but she pulled out and was replaced by the 22-year-old Serge Zimmermann.

El conjunto alemán recreó una lectura llena de matices, brillos y bailes motívicos relucientes que posibilitaron una interpretación magistral entre líneas románticas.

Frisch gebackener Ritter Măcelaru legt mit Di Castri, Lutosławski und Orff zündende Lunten eines in sich stimmigen Geburtstagsfeuerwerks.