Der Tod des milden Titus in Salzburg

By Daniel Url, 28 July 2017

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Reviewed at Felsenreitschule, Salzburg on 27 July 2017

Mozart, La clemenza di Tito

Teodor Currentzis, Conductor

Vitaly Polonsky, Conductor

Peter Sellars, Director

George Tsypin, Set Designer

Robby Duiveman, Costume Designer

Christina Gansch, Servilia

Golda Schultz, Vitellia

Jeanine De Bique, Annio

Marianne Crebassa, Sesto

Russell Thomas, Tito

Sir Willard White, Publio

musicAeterna

musicAeterna Choir

James F Ingalls, Lighting Designer

Julia Bullock in Meditations for Joséphine at Adelaide Festival

Sandra Bowdler, 3rd March

A challenging depiction of Joséphine Baker brilliantly performed by Julia Bullock under the direction of Peter Sellars at the Adelaide Festival.

****1

Peter Sellars directs Italian debut of Kaija Saariaho’s Adriana Mater

Pia Maltri, 11th October

This co-production, previously seen in San Francisco, is more of a semi-staging, convinces thanks to committed performances from a cast led by Fleur Barron.

****1

Matthew Aucoin's Music for New Bodies at Lincoln Center

Kurt Gottschalk, 10th July

Aucoin, librettist Jorie Graham and director Peter Sellars make New Bodies more a haunting mood piece than a cautionary tale for the American Modern Opera Company.

****1

Bach cantatas, American spirituals, global calamity

Kurt Gottschalk, 21st May

The Gospel according to Peter Sellars: an intermingling of Bach’s cantatas and American spirituals depicts an environmental message that the impending end won’t be personal, but global.

***11

Light and shadows in Rattle and Sellars' Médée at Staatsoper Berlin

Elena Luporini, 19th November

Reuniting two old friends and collaborators, the Staatsoper Berlin presents a new production of Marc-Antoine Charpentier's Médée, with mixed results.

***11

An unlikely meeting of Morton Feldman and the blues

Kurt Gottschalk, 27th September

Sorey’s instrumentation mirrors Feldman’s Rothko Chapel in a moving evening of musical high drama at Park Avenue Armory.

*****

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Daniel Url

Daniel Url hat Musik- & Tanzwissenschaft in Salzburg und Trondheim (Norwegen) studiert. Sein Hauptinteresse gilt der Oper (besonders Wagner und Strauss) und Gesang im Allgemeinen, aber auch großen sinfonischen Werken. Auf der Suche nach der perfekten Opernaufführung durchstreift er regelmäßig die großen Opernhäuser des gesamten deutschsprachigen Raums.

Der Tod des milden Titus: Mozarts Geist kehrt zurück nach Salzburg