Lady Macbeth von Mzensk in Wien

By Isabella Steppan, 15 March 2015

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“Rydls Boris Ismailow blieb bis zum letzten Atemzug stimmlich prägnant und beeindruckend wortdeutlich”

Reviewed at Wiener Staatsoper, Vienna on 14 March 2015

Shostakovich, Lady Macbeth of the Mtsensk District

Vienna State Opera

Ingo Metzmacher, Conductor

Matthias Hartmann, Director

Angela Denoke, Katerina Lvovna Izmailova

Misha Didyk, Sergey

Marian Talaba, Zinoviy Borisovich Izmailov

Kurt Rydl, Boris Timofeyevich Izmailov

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Orsolya Gyárfás, 19th April

Marco Armiliato’s conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper’s latest revival of Simon Boccanegra.

***11

Anna Netrebko shines in Vienna’s timeless Tosca

Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

Tragedy in the mirror: Minghella’s Madama Butterfly in Vienna

Laura Servidei, 14th March

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

An Idomeneo shattered to pieces at the Wiener Staatsoper

Orsolya Gyárfás, 23rd January

A committed cast struggles to lend a spark of life to Kasper Holten's static staging of Mozart's first mature opera.

**111

A holiday Bohème: Puccini, Zeffirelli and tradition in Vienna

Laura Servidei, 21st December

Giacomo Sagripanti conducts a luxuriant reading with a cast anchored by Juan Diego Flórez and Nicole Car, in Zeffirelli’s familiar, generous, unabashedly emotional production.

***11

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Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.

(Ohne) Sex und Gewalt: Lady Macbeth von Mzensk an der Wiener Staatsoper