Debussy von lakonischer Eleganz: Pelléas et Mélisande in Mannheim

By Sarah Donata Schneider, 26 May 2019

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“schonungslos sezierte Kessler in ihrem ausdrucksstarken Rollendebüt die Verhältnisse in Allemonde”

Reviewed at Nationaltheater: Opernhaus, Mannheim on 25 May 2019

Debussy, Pelléas et Mélisande (Koproduktion mit der Komischen Oper Berlin)

Nationaltheater Mannheim

Alexander Soddy, Conductor

Barrie Kosky, Director

Klaus Grünberg, Set Designer, Lighting Designer

Dinah Ehm, Costume Designer

Astrid Kessler, Mélisande

Raymond Ayers, Pelléas

Joachim Goltz, Golaud

Patrick Zielke, Arkel

Fridolin Bosse, Yniold

Kathrin Koch, Geneviève

Anne Kuhn, Set Designer

Johanna Wall, Dramaturgy

Julia Warnemünde, Dramaturgy

Nationaltheater Orchestra Mannheim

An unforgettable Good Friday Parsifal in Mannheim

Ako Imamura, 30th March

The 1957 production of Parsifal, with its traditional staging and dreamy imageries, was a perfect backdrop to showcase Wagner's celebration of stage play with music on Good Friday.

*****

“Auf nach Mahagonny" in Mannheim!

Ilana Walder-Biesanz, 30th December

A modern Mahagonny rises and falls in Mannheim, brought to life by a great cast of singer-actors and a conductor (Benjamin Reiners) and orchestra who celebrate Weill's catchy score.

****1

Polished Mahagonny: Weill and Brecht's satire remains as relevant as ever

Matthew Rye, 1st July

Nationaltheater Mannheim's new production of Brecht and Weill's collaboration is a true company achievement and a thrilling evening of music and theatre.

****1

Electric Elektra in Mannheim

Matthew Rye, 13th May

A classic production of Strauss' searing operatic depiction of the House of Atreus is revived with a particularly accomplished cast and musical direction.

*****

Der Golem: ecstatic première in Mannheim

Stephan Eckel, 16th April

The première of Bernhard Langs *Der Golem* leads through a frenzied night of occult stories.

****1

Sicilian melodrama: Tancredi in Mannheim

Matthew Rye, 11th December

The singing proves the main draw in Mannheim National Theatre's new production of Rossini's first great opera seria.

***11

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Sarah Donata Schneider

Die Liebe zur Oper entdeckte Sarah durch Ursel und Karl-Ernst Herrmanns Pariser Inszenierung von La clemenza di Tito. Seit Abschluss ihres Magisterstudiums mit einer interdisziplinären Arbeit über Richard Wagner promoviert sie am Mainzer Institut für Theaterwissenschaft über deren Mozartinszenierungen. Neben Wagner und Strauss gilt ihre Leidenschaft besonders dem Verismo. Musik ist für sie „Teil des schwingenden Weltalls“ (Busoni).

Debussy von lakonischer Eleganz: Pelléas et Mélisande am Nationaltheater Mannheim