Im Strudel von Schlammflocken und Straßentheater in Amsterdam

By Michael Klier, 20 May 2019

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“Rebecca Saunders ließ die Zuhörer atemlos nach wütend artikulierten Beckett-Zitaten lauschen”

Reviewed at Concertgebouw: Main Hall, Amsterdam on 18 May 2019

Germanus, Im Vortex

Saunders, Bite

Bauckholt, Schlammflocke

Hirs, lightclouds

Chin, Gougalon "Scenes from a street theatre"

Ensemble Musikfabrik

Emilio Pomàrico, Conductor

Marco Blaauw, Trumpet

Upload questions the meaning of life... and of opera

Kurt Gottschalk, 22nd March

Does opera have room for film? And live video? Multiple screens and advertorials? And allusions to onscreen identity and cyber-immortality?

*****

Ensemble Musikfabrik in Berlin

Stephen Crowe, 18th September

An evening of frivolousness and solemnity.

****1

Musikfabrik parades new Partch instruments in slapstick tragedy

Jacob Slattery, 23rd July

Under the direction of Heiner Goebbels, Ensemble Musikfabrik’s twenty-two multifaceted percussionist-vocalist-actor musicians executed an industrious performance of Partch’s magnum opus, The Delusion of the Fury.

****1

Partch UK Premiere creates a Surreal Sunday Experience

Alexandra Hamilton-Ayres, 23rd February

In the world of concert music, it is a rare privilege to witness the first ever performance of an instrument in Britain, let alone a whole host that have been specifically created for a piece of music. A stage full of weird and wonderful creations took over the Colston Hall for one of the most surreal concerts I have ever attended.

****1

The terror of games: RIAS Chamber Choir and Ensemble musikFabrik at Musikfest Berlin

Dan Wang, 14th September

If there were a gold medal for programming at Musikfest Berlin, it would go to last night’s concert with the RIAS Chamber Choir, Ensemble musikFabrik, and a host of other musicians, gathered under the baton of James Wood.

****1

Edinburgh International Festival: Ensemble musikFabrik's tribute to Frank Zappa

Alan Coady, 28th August

What drew John Cage and Frank Zappa into the same programme was their mutual admiration of Edgard Varèse, at its most striking in their use of percussion. Somehow I feel Cage would have been delighted to be the one out of step with an otherwise perfectly symmetrical programme. Flanking the interval were performances of Varèse’s Ionisation (1929–31).

****1

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Michael Klier

Michael Klier macht schon seit mehr als einem halben Jahrhundert Musik. Als gebürtiger Berliner kam er 1993 nach Amsterdam. Er war Mitglied unterschiedlichster internationaler Ensembles und Orchester. Heute betreibt er eine florierende Unterrichts- und Coachingpraxis. Als Teamcoach bietet er dort Schulungen an, in denen die Kursteilnehmer miteinander komponieren, um so ihre ungenutzten kreativen Potentiale zu entdecken und besser miteinander zu kommunizieren. Denn: Musiker sind die Architekten des Himmels.

Musikfabrik im Strudel von Schlammflocken und Straßentheater in Amsterdam