Aus Liebe zum Detail: Emanuel Ax zu Gast in Berlin

By Sebastian Urmoneit, 02 July 2019

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“wie das Abschied nehmende Licht eines Sonnenuntergangs”

Reviewed at Philharmonie: Großer Saal, Berlin on 28 June 2019

Schubert, Overture in D major "in the Italian style", D.590

Mozart, Piano Concerto no. 17 in G major, K453

Mendelssohn, Symphony no. 4 in A major "Italian", Op.90

Emanuel Ax, Piano

Deutsches Symphonie-Orchester Berlin

Kent Nagano, Conductor

Music from Wonderland to Heaven at Kölner Philharmonie

Kurt Gottschalk, 29th June

Hanna-Elisabeth Müller joined the visiting Deutsches Symphonie-Orchester Berlin for Mahler's Fourth Symphony and Unsuk Chin's surprising Puzzles and Games, derived from her opera Alice in Wonderland.

*****

Sounds of the contemporary from the Deutsches Symphonie-Orchester

Elena Luporini, 21st January

Closing the 26th edition of the Ultraschall Berlin festival, André de Ridden and the DSO prove the vitality of the contemporary orchestra with a programme featuring works by Streich, Chin and Andre.

****1

May I have your attention? Pekka Kuusisto and the DSO in Berlin

Elena Luporini, 17th December

At the head of the Deutsches Symphonie-Orchester, Pekka Kuusisto greets the holidays in Berlin with a Haydn-centred concert featuring works by Anna Clyne, Caroline Shaw and Beethoven.

****1

Opposites attract: Ticciati conducts a Pépin premiere in Berlin

Elena Luporini, 15th October

Camille Pépin's Le Sommeil a pris ton empreinte, a violin concerto dedicated to Renaud Capuçon, receives its German premiere.

*****

Manfred Honeck and the DSO dazzle Berlin's Philharmonie

Pablo Sánchez Quinteiro, 8th May

Manfred Honeck builds a magnificent monument of sound conducting the DSO Berlin in Mahler's Fifth Symphony, the highlight of the evening, preceded by violinist James Ehnes who brilliantly recreates Mozart's Third Concerto.

*****

DSO Berlin opens its 75th anniversary season

Zenaida des Aubris, 19th September

The Deutsches Symphonie-Orchester performs works by Lang, Pärt, Stravinsky and Mahler under music director, Robin Ticciati.

****1

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Sebastian Urmoneit

Sebastian Urmoneit sudierte Musikwissenschaft und Philosophie in Berlin (u. a. bei Carl Dahlhaus). Ergänzendes Studium an der HdK Berlin (UdK)(u. a. bei Heinrich Poos und Hartmut Fladt), Dissertation zu Wagners „Tristan und Isolde“; Aufsätze über Schubert, Wagner, Wolf, Strauss und Brahms; Herausgabe: Joseph Haydn, Memoria, Band 11 mit Hartmut Fladt. Werkeinführungen für das Berliner Konzerthaus, das Radio-Sinfonieorchester Stuttgart des SWR, die Bamberger Symphoniker, die Stuttgarter Philharmoniker, die Südwestdeutsche Konzertdirektion Erwin Russ GmbH, die Dachauer Schlosskonzerte, die Albert Konzerte GmbH in Freiburg u. a.