Wonnevoll poetischer Wagner: Tristan und Isolde in Dresden

Klaus Florian Vogt (Tristan) und Camilla Nylund (Isolde)

Tristan und Isolde

Klaus Florian Vogt (Tristan) und Martin Gantner (Kurwenal)

Camilla Nylund (Isolde) und Klaus Florian Vogt (Tristan)

By Alexandra Richter, 06 February 2024

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“Thielemann schuf einen Tristan voller Poesie und Klangfarbenromantik”

Reviewed at Semperoper, Dresden on 3 February 2024

Wagner, Tristan und Isolde

Semperoper Dresden

Christian Thielemann, Conductor

Marco Arturo Marelli, Director, Set Designer

Dagmar Niefind, Costume Designer

Friedewalt Degen, Lighting Designer

Staatskapelle Dresden

Sächsischer Staatsopernchor Dresden

Camilla Nylund, Isolde

Klaus Florian Vogt, Tristan

Georg Zeppenfeld, King Marke

Martin Gantner, Kurwenal

Sebastian Wartig, Melot

Tanja Ariane Baumgartner, Brangäne

Thielemann bids farewell to Dresden with an excellent new FroSch

Ako Imamura, 27th March

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor.

*****

Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Zenaida des Aubris, 10th February

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style.

*****

Moving singing, but missed opportunities in Dresden’s new Aida

Zoltán Szabó, 17th March

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

***11

Peter Konwitschny returns to the Semperoper with Les Huguenots

Laura Servidei, 29th June

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden

****1

Nabucco marks a successful debut of Saioa Hernández as Abigaille

Laura Servidei, 25th May

Saioa Hernández leads a solid cast in Dresden in a somewhat disappointing new production by David Bösch.

***11

Folk rhythms and changing times in Dresden's Bartered Bride

John Johnston, 25th April

What brought real distinction and authenticity to the evening, as so often in this house, was the outstanding playing of the Staatskapelle conducted by Tomaš Netopil. From the start of the overture with its rapidly scurrying fugato for strings and pointed phrasing from the woodwind one felt the true sense of Smetana’s Czech inflected rhythms and harmonies

***11

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Alexandra Richter

Alexandra hat Medienwissenschaften studiert und arbeitet als Filmproduzentin in Frankfurt. Tagsüber sind die Kunstausstellungen und Museen ganz Europas ihr zu Hause. Die Abende verbringt sie gern in der Oper und im Konzertsaal. Hier liegen ihre Schwerpunkte bei Romantischen Komponist*innen, wie Schubert und Wagner. Aber auch zeitgenössische und moderne Musik finden immer wieder Beachtung.

Wonnevoll poetischer Wagner: Tristan und Isolde an der Semperoper Dresden