Sangesleistung im Mittelpunkt

By Norman Schwarze, 19 October 2015

Loading, please wait...

See full listing

“zerbrechlich und feinsinnig, ... fast herzzerreißend, aber an den entscheidenen Stellen energisch”

Reviewed at Nationaltheater, Munich on 17 October 2015

Strauss R., Ariadne auf Naxos

Bavarian State Opera

Kirill Petrenko, Conductor

Robert Carsen, Director

Peter Pabst, Set Designer

Falk Bauer, Costume Designer

Anja Harteros, The Primadonna (Ariadne)

Amber Wagner, The Primadonna (Ariadne)

Brenda Rae, Zerbinetta

Alice Coote, Composer

Peter Seiffert, The Tenor (Bacchus)

Anna Virovlansky, Echo

Eri Nakamura, Naiad

Okka von der Damerau, Dryad

Matthew Grills, Brighella

Kevin Conners, Dancing Master

Petr Nekoranec, Officer

Dean Power, Scaramuccio

Elliot Madore, Harlequin

John Carpenter, Wigmaker

Christian Rieger, Lackey

Tareq Nazmi, Truffaldino

Markus Eiche, Music Master

Johannes Klama, The Major-Domo

Bayerisches Staatsorchester

Bayerischer Staatsopernchor

Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper

Mark Pullinger, 6th December

Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.

****1

No fairy tale: Kušej’s Rusalka works with devastating force in Munich

Orsolya Gyárfás, 26th July

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

****1

Everlasting Everding: another beautiful Munich Zauberflöte revival

Laura Servidei, 4th January

August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.

***11

And they were the most divine gods: Das Rheingold in Munich

Phillip Richter, 3rd November

Tobias Kratzer's prelude to this new Ring cycle exceeds all expectations and scores a musical-theatrical success.

*****

All play and no work: an exuberant Figaro in Munich

Orsolya Gyárfás, 17th July

Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.

****1

Waltzing masks and masquerades in Kosky’s new Fledermaus

Zenaida des Aubris, 23rd December

Expect sequins and swinging chandeliers in the Australian director's new Fledermaus at the Bayerische Staatsoper.

****1

More reviews...

Norman Schwarze

Norman ist Münchner, absoluter Reisefanatiker, Blogger und Opernliebhaber seit frühester Kindheit. Besonders begeistert er sich für progressive Inszenierungen und Stücke des 21. Jahrhunderts. Nach seinem Studium der Allgemeinen Sprachwissenschaften orientierte er sich neu und arbeitet nun als Produktmanager im Börsenumfeld. Das ist sein Blog: www.annees-de-pelerinage.com

Sangesleistung im Mittelpunkt: Ariadne auf Naxos an der Bayerischen Staatsoper