New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.
Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
Alexandra was previously Bachtrack's Dance Editor. She trained as a professional dancer both in Paris and London and has performed for various ballet, opera, commercial and film productions, as well as independent projects. She studied Literature and Art History at the Open University. previously worked as Bachtrack's press coordinator, and continues to write for Bachtrack, in London and in Paris. She has previously contributed to English National Ballet's blog.
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