The Royal College of Music offers an enviable nurturing ground for the next generation of operatic talent. Audrey Hyland, head of the Vocal and Opera faculty, talks about what makes the department special.
The Royal Opera’s Principal Guest Conductor explains her passion for opera, her journey into the pit and how good conductors share the attributes of football managers.
The Japanese mezzo soprano is returning to the New National Theatre, Tokyo for her role debut in Massenet’s Werther. We talk about her love for Rossini, and expansions into later Romantic opera.
The trailblaizing playwright makes a return to the operatic stage to direct a new production of Strauss’ Salome with Regents Opera – held in an old boxing venue, an apt location given the opera’s bloody subject...
With significant works by Louise Farrenc, Augusta Holmès and Clémence de Grandval – including two grand operas – Palazzetto Bru Zane is pioneering rediscovery of French music of the 19th century.
We sit down with two of the opera world’s leading figures, and masterminds of Brussels’ La Monnaie (De Munt) – how do they balance the competing challenges and thrills of running an opera house?
Originally from New Zealand, Sarah Noble is an arts administrator and freelance writer whose articles and reviews have appeared in Limelight, Opera, NZ Opera News and The Opera Critic. After stints in Sydney, Orlando, London and Manchester, she's now based in Macclesfield but travels frequently in pursuit of live performance – operatic and otherwise. Sarah was previously the producer of the International Opera Awards and now works as production co-ordinator for a classical music filming company.
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