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“Lohengrin’s story will be told”
As he awaits the swan to pull him into another new production, Klaus Florian Vogt reflects on Lohengrin and his other Wagner roles.
A birthday bouquet for the Wiener Staatsoper’s 150th
With six new opera productions, including a world première, and two Wiener Staatsballett premières, the 2018-19 season at the Wiener Staatsoper is an enticing prospect.
From Straussian pyrotechnics to Mozartian Enlightenment
The Festival d'Aix-en-Provence presents a diverse programme of operatic fare to idyllic settings.
Barbara Hannigan on tailor-made roles
We meet the Canadian soprano as she prepares for the world première of George Benjamin's new opera, Lessons in Love and Violence at the Royal Opera House.
Recent reviews
New season previews
Recent interviews and features
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LeipzigDie Zauberflöte

© Tom Schulze
Mozart: Die Zauberflöte (The Magic Flute)
Christoph Gedschold; Oper Leipzig; Yadegar Asisi; Claudia Rühle; Magdalena Hinterdobler; Danae Kontora

BrnoAntonín Dvořák – The Devil and KateNew production

Antonín Dvořák – The Devil and Kate
Dvořák: The Devil and Kate (Cert a Kácal)
Jiří Heřman; Janáček Opera NTB; Pavel Svoboda; Alexandra Grusková

ValenciaThe Damnation of Faust (La Damnation de Faust)New Production

© Francesco Calgagnini
Berlioz: The Damnation of Faust (La Damnation de Faust)
Roberto Abbado; Damiano Michieletto; Palau de Les Arts Reina Sofia; Celso Albelo; Rubén Amoretti; Orquestra de la Comunitat Valenciana

AmsterdamOctavia E. Butler’s Parable of the Sower

Octavia E. Butler’s Parable of the Sower
Reagon: Octavia E. Butler's Parable of the Sower
Eric Ting; Arnulfo Maldonado; Dede Ayite; Christopher Kuhl

MinneapolisWest Side Story

Bernstein: West Side Story
Unknown; Guthrie Opera Theatre Company

BudapestBilly Elliot: The Musical

Billy Elliot: The Musical
John: Music from Billy Elliot
István Silló; Hungarian State Opera; Géza Köteles


Verdi: Rigoletto
Daniele Callegari; Árpád Schilling; Bavarian State Opera; Márton Ágh; Markus Brück; Rosa Feola

LondonKiss me, Kate

Kiss me, Kate
Porter: Kiss me, Kate
James Holmes; Jo Davies; Opera North; Oliver Rundell; Colin Richmond; Quirijn de Lang
Latest reviewsSee more...

Tannhäuser's long and tortuous journey of the spirit

Sophie Koch (Venus) and Stephen Gould (Tannhäuser) © Zsófia Pályi, Müpa Budapest
Stephen Gould is less than convincing in the lead role of Tannhäuser, but excellent ensemble work under Ádám Fischer's inspired direction offers compensations.
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Songs of innocence and experience: Falstaff at Garsington

Henry Waddington (Falstaff) © Clive Barda
Bruno Ravella's fast-paced Falstaff for Garsington still has crucial space for pathos amid the comedy, with a notably subtle central performance from Henry Waddington.  
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La bohème at ROH: a simple tragedy, heart-rendingly told

Maria Agresta (Mimì), Matthew Polenzani (Rodolfo) in Act 4 © ROH | Catherine Ashmore
A committed cast make this  a beautifully performed ensemble piece in which the tragedy of young love cut short by untimely disease is compellingly put across.
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Kosky's Nose comes home to Komische Oper

Günter Papendell (Platon Kuzmich Kovalyov) © Iko Freese | drama-berlin.de
Shostakovich's early masterpiece is fêted at the Komische Oper Berlin
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The ultimate love story: Wagner’s Tristan und Isolde in Budapest

Allison Oakes (Isolde) and Peter Seiffert (Tristan) © Zsófia Pályi, Müpa Budapest
As part of the annual Wagner festival in the Hungarian capital, Peter Seiffert and Allison Oakes star as the doomed lovers.
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Exhilarating storm-tossed evening in the Cotswolds

Kirstin Sharpin (Senta) and Jonathan Stoughton (Erik) © Matthew Williams-Ellis
With a glinting voice of a youthful sheen, like bracing Nordic air, Kirstin Sharpin was entirely convincing as the obsessed dreamer, Senta.
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Acis and Galatea for the social media age

Lucy Hall (Galatea) © Dani Harvey
An intimate setting for the 18th-century work do from hell.
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Carry on Cleo: Joélle Harvey triumphs at Glyndebourne

Sarah Connolly (Giulio Cesare) and Joélle Harvey (Cleopatra) © Bill Cooper
Interviewed at the time of this production's first outing, McVicar declared that “Entertainment is not a dirty word”. His Giulio Cesare remains a hugely entertaining opera production.
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